1977

• Monday, January 24, 1977
  22h00-23h00 - CTV (12)
  NANA MOUSKOURI - AND I LOVE YOU SO
  Concert recorded in Hamilton on September 17, 1974.
  01- Amazing Grace
  02- And I love you so
  03- Voici le mois de may
  04- Odos Oniron
  05- Plaisir d’amour
  06- The white rose of Athens
  07- Milisse mou
  08- The three bells
  09- I dreamed you
  10- Bridge over troubled water
  11- Enas mythos
  (repeat on Wednesday, August 10, 1977 - 21h00-22h00)

• Wednesday, February 16, 1977
  20h00-20h30 - SRC (2)
  DU TAC AU TAC
  «L’AFFAIRE MOUSKOURI / LE KIDNAPPING DE DALIDA» (16th épisode)
  (comedy by André Dubois)
  In order to play a trick on a journalist, Geneviève (France Castel) pretends to be Nana Mouskouri. When she disguises herself as Dalida, she is kidnapped. (1 m 08 s)
  

• Sunday, September 11, 1977
  12h00-14h00 - TVA (10)
  BON DIMANCHE
  Review of Nana’s concert by Michel Girouard. (4 m 16 s)

• Sunday, September 18, 1977
  12h00-14h00 - TVA (10)
  BON DIMANCHE
  (Pres.: Claude Mailhot)
  It is necessary to prove many things so that the public returns home happy. When we sing in a language, we must understand it. Wherever she is, Nana sings in French. On stage, she doesn’t move a lot. The essential is to sing well and to move the audience. After the concert, she rests to be at her best the day after.
  When her children were younger, they accompanied her on her tours. Now that they go to school, she organizes herself to spend much time with them.
  She is enormously interested in politics. But Nana believes that she shouldn’t impose her opinions nor influence the public. She heard "Un Canadien errant" by an English Canadian singer. The theme touched her and she decided to include it in her song recital in spite of the opinion of her entourage.
  She leaves again for France to make her return at the Olympia of Paris.
  * LIVE (9 m 16 s)

• Monday, September 26, 1977
  13h35-14h30 - SRC (2)
  FEMME D’AUJOURD’HUI
  (interview with Judith Paré)
  Nana underlines the role of luck in her career. Her first experiences outside from Greece. The importance of the music from her childhood. Her studies in classical singing. The difficulties for a Greek woman to work. The organisation of the family life. Her disagreement with the current revolt of women.
  
  (12 m 47 s)